The humanity of storytelling: One stage + 6 brave souls = a night to remember at the Shaskeen

Anthony Payton shares during Tales of the Queen City on the Shaskeen Stage Feb. 11, one of six storytellers who collaborated for an evening of community. Photo/Rob Azevedo

MANCHESTER, NH โ€“ Good stories will capture our shared human condition. Through these stories, we learn about history and culture, as well as what it means to be a human being inhabiting this wild rotating globe.

Storytelling is an art form with roots in oral traditions and performance. From bards traveling from village to village, wielding lutes and telling tales of love and war; to the American author Mark Twain standing on a stage, dazzling audiences with witty yarns, people have always been compelled by a good story.

But over the years the oral tradition of telling tales to an audience ceded to technology, a byproduct of centuries of inventions like the printing press, the record album, the motion picture and, more recently, the internet and social media.

So gathering a crowd into a single spot and asking them to listen to live performers tell stories might seemโ€”to the cynic, at leastโ€”slightly archaic.

Yet it didnโ€™t stop Manchesterโ€™s sultan of the entertainment scene Rob Azevedo from booking six performers and trying it anyway[1].

โ€œI find Manchester to be endlessly entertaining,โ€ Azevedo said. โ€œThatโ€™s the thing about Manchester: we are overridden with stories. You just need to listen for them. Stories are out there, and they just need an ear to fall on.โ€

Kaitlyn Mastacouris told the story of how a head injury changed the trajectory of her life. Photo/Rob Azevedo

And those stories found their ears for an enchanting evening at The Shaskeen Pub in downtown Manchester on Saturday, Feb. 11.

With Azevedo as the emcee, the evening kicked off with Kaitlyn Mastacouris, a Manchester native and โ€œdaughter of The Queen City,โ€ who shared her story of a concussion in 2021 that inadvertently led to securing her current role as a co-host on โ€œThe Morning Show with Peter White,โ€ which airs weekdays from 7-9 a.m. on Manchesterโ€™s FM radio station 95.3 WMNH.

A third-generation Manchester resident, Mastacourisโ€™ โ€œdeep rootsโ€ and immense heart provided an apt introduction for the eveningโ€™s show.

โ€œManchester is both continually the same and ever-changing at the exact same time,โ€ said Mastacouris, 30, and a Central High School alumnus. โ€œIโ€™m a Manchester girl, and the stories about our city can really bring people together.โ€

Mastacouris was followed by Anthony Tone Payton, who was raised in Brooklyn before moving to Manchester, which he considers his home.

Payton told the story of slipping into a life of crime, despite growing up in a two-parent home that stressed education.

Arrested after a drug bust on Valley Street, Payton was sent to jail, and three days later found out he was going to be a father. He kept the picture of his daughterโ€™s ultrasound hung up in his cell for inspiration after being sentenced to 10 years in federal prisonโ€”he served nearly seven years.

Paytonโ€™s story was one of redemption and an individualโ€™s capacity to change courses in life for the better.

Chris Micklovich shared an emotional story about his experience with police violence and the power of resilience. Photo/Rob Azevedo

โ€œI felt that [my story] could likely help others who know of someone incarcerated. There is hope,โ€ Payton said. โ€œAlso, they may have a child or teenager walking down the wrong path, and I’m sure that an explicit story from me will help set them straight. Not to mention the power of story can be therapeutic.โ€

Shifting gearsโ€”and not for the last time in the eveningโ€”A.M. Moura, 46, a native of Lowell, Mass., who works as a writer and manager of a security team, spun a scatological tale that he said โ€œspans the whole 19 years [heโ€™s] been in Manchester.โ€

His misadventures began at the old Bomb Shelter, a former heavy-metal club on the West Side, and brought the audience to date using humor and candor. It was a cautionary tale of sorts, expertly woven. โ€œNo matter how large, the city is small, and it remembers everything,โ€ he warned.

For Moura, who was performing the story for the first time on stage, the nerves went away when he heard the first laugh. โ€œThe crowd was fantastic,โ€ he said. โ€œIt was a great turnout, and everyone was engaged with what was being said. It was a great experience.โ€

After a brief intermission, Mike โ€œGonzoโ€ Gonzales took the stage carrying a handful of drawings he did of members of the audience then preceded the pass them out to their rightful recipients.

โ€œItโ€™s hard to be an artist,โ€ he quipped.

A full-time artist, Gonzales then told a quick yarnโ€”which Mark Twain wouldโ€™ve appreciatedโ€”about an alligator in Manchester, then ceded the stage to Chris Micklovich for what would be the emotional climax of the evening.

Micklovich told the story of a beating he incurred by four off-duty Manchester policemen in an alley outside the Strange Brew Tavern in March 2010, following an incident inside the restaurant.

Micklovich suffered $20,000 in medical damages and related his own story to the recent events surrounding the death of Tyre Nichols, a 29-year-old black man beaten to death by police officers in Memphis, Tenn, on Jan. 7.

Passionately, Micklovich implored the audience to remember three things about the city of Manchester. โ€œWe are resilient. We can make a difference, and we are tough,โ€ a teary-eyed Micklovich told the crowd.

Ryan Gorman capped off the night and pushed performance boundaries with his time on stage, which he shared with Benny Bass and deejay SP1. Photo/Rob Azevedo

He said that Manchester rallied behind him and that he โ€œcould not thank this city enough.โ€

The show concluded with the eccentric Manchester native Ryan Gorman, an artist who has worked in video and radio production, as well as gigged as a stand-up comedian.

Gorman invited bassist Benny Bass and deejay SP1 to join him on the stage and delivered an erratically electric set where he pushed performance boundaries. Gorman said that there were โ€œorganically spiritualโ€ things involving a good friend in the crowd that left him โ€œglowingโ€ and guided his set.

It was a fitting end to an evening of the stark truth-telling and a madness that perfectly encapsulates the collective of The Queen City ethos.

Azevedo agreed.

โ€œIt was a success,โ€ he said, admitting that he wasnโ€™t completely sure what to expect from the event. โ€œThe storytellers did something thatโ€™s not easy to do, and they all pulled it off. I hope it was cathartic to some and inspiring to others, with a touch of crazy thrown in at the end.โ€

In other words, it was entirely human.

_________

[1] I had laryngitis while covering this show on Saturday, which puts a reporter in a bit of a proverbial โ€œpickle.โ€ But Rob and the six performers were incredibly kind and patient with me, and Iโ€™d remiss not to thank them.


 


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